state of the lds music union: songwriting

Songwriting (as a craft):

Much improved. I am especially encouraged that more LDS musicians seem to be writing on themes of the Restoration. Looking a decade back at the songs of Michael McLean and other similar artists, many of them were quasi-ecumenical songs (pretty, but with not much doctrine) which were mostly designed to make the listener feel good. I sense that among the good LDS songwriters of today (and there are also plenty of bad ones, as always), we have learned to teach truth with more accuracy and boldness while improving the music to which it is set.

On the other side of the coin, the LDS consumer has been conditioned to accept and perpetuate musical rubbish simply for the fact that it is "LDS." Listen to KZION, for example (I do), and within an hour you will hear some lovely, well-conceived, well-developed music alongside some terrible, yet heartfelt, songs with four chords and lyrics that don't fit into the musical lines. Many LDS people are well educated in music, but consciously ignore their musical sensibilities when it comes to Church music. This was necessary ten or fifteen years ago because of the lack of good music, but we need to have a paradigm shift as a people and begin demanding excellence. We also need to become willing to pay for excellence when we find it.