28.12.06

book review

Over the Christmas weekend, I stumbled upon an unbelieveable book sale. One of the books I grabbed was Eats, Shoots and Leaves by Lynne Truss. I highly recommend it. Truss uses incisive British wit and common sense to defend punctuation. I know that reading about punctuation is not necessarily an exciting prospect to some, but Eats, Shoots and Leaves stands well on its humorous and literary merits. This is not like my high school grammar texts. In the interest of full disclosure, I have been madly in love with the intricacies of punctuation for some time, so I have been wanting to read it since hearing about it on the radio a few years ago. However, I was more than surprised at how enjoyable a read it was, regardless of its content.

http://www.eatsshootsandleaves.com/

19.12.06

the cinnamon toothpaste

For those of you wondering how my goal to finish the cinnamon toothpaste turned out, here is the result:

This week we went to the Salvation Army store and bought two silver platters, badly tarnished. I spent an evening with rags and my cinnamon toothpaste, cleaning and polishing and polishing and polishing. It used much of the toothpaste, and the rest was contaminated with tarnish, so it now lives under the sink for silver polishing in the future. I started again on the orange toothpaste last night. Once I finish it, I will be ready to switch back to mint, and there will be harmony in the medicine cabinet once again.

16.12.06

noisebox

The site redesign is finally complete! I can't believe it! Check it out. http://gratemusic.com

Here is the new Noisebox:

Noisebox 15 December 2006 - Volume 1 Issue 18

New design, new carol

Sorry for the long delay in releasing new music. We have been quite busy on the technical end of things. Gratemusic.com has been completely redesigned for easier navigation and future growth. Have a look around and contact us with your feedback.

We proudly announce the release of a new Christmas carol, Peaceful the Night, available through our Christmas page. With lyrics by David Macfarlane and music for SATB voices by Nathan Howe, this carol addresses not only the nativity of Christ, but his role as our creator and redeemer as well as his second coming.

Grate Music, LLC
http://gratemusic.com
http://LDSmusic.us

12.12.06

ask dr. science

If you haven't heard of him, Dr. Science is one of my media heroes.

7.12.06

free music?

On the discussion board at KZION LDS Internet Radio, John Hesch asked me:

"...Nate, can you please explain why you think that spiritual music should be given away for free? Why should an LDS artist like yourself give away your music just because you song is about our faith? I don't understand that way of thinking and you're not the first person I have heard this from. LDS authors don't give away their books, LDS movie producers don't give away their movies, LDS artists don't give away their paintings. As an LDS consumer I expect to pay for your music, art, books, etc. What I don't want to do is pay more for your music, art or books just because it is about our faith."



This is a question I get often, and a question with which I continue to struggle. I am posting my answer here as a statement of my current feeling on the subject.

Good question. I don't think all music of a spiritual nature should be just given away, but I do think that it should be accessible. At this point I choose to give mine away because I have reasonably low overhead and I can afford to do so. But any way you slice it, 17 to 20 bucks for a CD with one good song is highway robbery (pardon the pun). Sometimes the ones who really need to hear it are those who can't afford it.

I suppose it depends on the nature of the music and the goal of the artist. For fun songs or songs mostly for entertainment purposes rather than spiritual teaching, I have no problem charging whatever the market will bear. However, if I actually believe the concepts about which I sing in my so-called spiritual songs, I should share that testimony freely to all who would benefit from it. If I claim any degree of divine inspiration in writing a song, it should be primarily for the building up of God's kingdom.

There are production costs. There are administrative costs. I don't generally give away or sell my copyrights or place much music in the public domain. Music is still a business. I just feel that by allowing free access to the music and asking for donations, in time those with more resources will pick up the tab for those who cannot afford to pay. Call me a hippie public radio tote-carrying idealist fool. Maybe I am. At the moment, we are doing better than breaking even on web hosting costs, so I have no real complaints.

This is not to knock artists who use different business models. When I go into the studio to do session work, or when I teach private lessons, do I turn down my rightful payment? Of course not. I also encourage donations when people download my music, I do occasional commissions, and if I was offered a good job making LDS music, I would seriously consider the offer. If I decide to release a CD, I will certainly charge for it. But I will do my best to make it affordable, and I will always offer a good amount of spiritual music for free.

5.12.06

by popular demand

As a musician, I have a soft spot for music of the most terrible sort. I have to share more, once again with a stern warning. This is not for children. This is not for pets. This may cause your houseplants to wither. I am not responsible for this. I am simply giving you the opportunity to hear . . .

Florence Foster Jenkins singing The Queen of the Night

3.12.06

o holy night (?)

Possibly the worst version of this song you may ever hear, but somehow also heartfelt. Not for the weak of stomach.

O Holy Night

2.12.06

cultural arts segment: how to tie a cherry stem in a knot with your tongue

This is the season for Christmas parties for work, school, family reunions, and whatever other reason people can concoct to have everybody over for dinner or those tiny little appetizers I can never spell the French word for. Here on fluent in mumble, I like to give my readers a variety of useful, culturally relevant subjects. This is one of those. It's only good at really boring or awkward dinners. Sometimes when everybody else has booze and you're sipping a Shirley Temple, it's nice to have a way to stand out besides your engaging conversational style. Take this as my gift to fellow teetotalers around the globe.

Here is my method to tie the stem of a Maraschino cherry in an overhand knot:

  1. If possible choose a longer stem, especially if you are a beginner.
  2. Be sure to practice before you actually try this at a dinner.
  3. Plan for if you ignore step 2: If you are desperate to do this before you have mastered it, just get a drink with lots of cherries, discreetly tie one of the stems under the table in a believeable overhand knot and slip it in your mouth unnoticed. Wait a few minutes, then make a show of putting another straight stem in your mouth, contort your face a bit (be sure to give it enough time that people will believe you), then spit out your pre-knotted stem elegantly onto a spoon.
  4. No, that wasn't the WHOLE plan. If you want to do it for real, the secret is that successful cherry-stem knotting involves as much teeth as tongue.
  5. First, bend the stem into a "U" shape with your tongue - the ends up, the curve down, right around the gumline of your bottom front teeth. I forgot to mention that this post may be considered graphic by some readers. Proceed with the utmost caution.
  6. Next, cross the arms of the U. Arm A over arm B, so arm A is nearer to your tongue and arm B is nearer to your teeth. Which is on which side doesn't matter.
  7. Push arm A (the one near your tongue) over arm B and through your slightly opened teeth. Then hold the top of the resulting loop to your top teeth with your tongue while gently sucking the end of arm A through the loop.
  8. Hook the end of arm A with your bottom teeth and pull it through by biting it gently and allowing the rest of the loop to be carried in the opposite direction by the movement of your lips.
  9. Tighten. This can be accomplished by biting an end and moving the rest of the loop away from that anchor point. Be sure to tighten enough to make it secure, but leave it loose enough that people can tell it is an overhand knot. Just a bump in the middle of the stem is significantly less impressive.
  10. Spit it out and impress people.
  11. Leave a comment on my blog and let us all know how it went.

27.11.06

more really, really, really short stories

You can read more about my really, really, really short story project here. Here are three more for your reading pleasure:

#4: A Western.
Buck’s IPod was turned up so loud he didn’t hear the rustler stealing his
cattle until a brief pause between Meatloaf power ballads.

#5: Western, Part II
Tex wasn’t like the other cowboys. Sure, he would sit at the bar and argue
about Ford and Chevy (usually on the Chevy side, to be safe), but deep inside he
had the undeniable hankering for a Hyundai.

#6: A Cautionary Tale
Clarissa was bored, so she sat in her
armchair and didn’t do anything until she was buried in the sands of
time.
Moral: Even if you are bored, occasionally dusting your house may
prevent eventual suffocation.

25.11.06

noisebox

New Noisebox:

Saturday, November 25, 2006
Noisebox 25 November, 2006 - Vol. 1 Issue 17

Merry Christmas, Part 2

Exciting news! The Women's Glee Club at the University of Northern Colorado will perform Nathan Howe's setting of Far, Far Away on Judea's Plains at their holiday concert on December 3rd, 2006 at the Union Colony Civic Center in Greeley, COlorado at 7:00. They have commissioned an SSAA version with piano accompaniment. We have now posted both SSAA and SATB editions, unaccompanied and with piano. See the music and hear the MIDI files here, and come to the concert on December 3rd if you are in the area.

http://gratemusic.com
http://LDSmusic.us

15.11.06

getting up on time

How to get up when your alarm goes off

I am going to try this. If it works, I'll let you know. Added it to my 43 Things.

For me, waking up is one of the least pleasant acts in my life, but I really enjoy the time I am awake.

14.11.06

the least of these

Today I stumbled upon kiva.org. It is an organization offering micro-loans to entrepreneurs in impoverished countries. I'll spare you the details and let you check out their site for yourselves and decide whether you like it, but I think when I get paid I will send $25. So far, they have a 100% repayment rate, which is fantastic. This is a great chance to make a sustainable difference in the lives of some who simply lack the resources for success.

really, really, really short stories

I gave up on NaNoWriMo. It became a choice between short-term success in novel writing and long-term success in life. I would have dropped the ball on too many other important things, including some pretty good music.

However, to keep my creative writing chops active, I added a goal on my 43 Things: "post really, really, really short stories." This gives me a chance to write short fiction without the burden of organizing it into a long form like a novel. You can monitor my progress on my 43 Things page about this goal. However, I will also post some of them here on fluent in mumble for your enjoyment:

#1: A Shocking Realization

Frederick was in his second year of culinary school when he found out that
egg-drop soup is not made from “Egg Drops.”


#2: Sunday

Pastor Morrisey’s socks did not match, and the sopranos were perpetually flat in the choir loft. Lucille stayed.

#3: A Sad Story

“What was that?” Franklin shouted; “I can’t hear you over your green and violet dress!” Debbie turned and left him there at Taco Bell, alone.


More to come later.

13.11.06

fame and fortune

(By fame and fortune, I mean fortune in the sense of good things happening, not in the sense of money in pocket.) It was a good day Friday. I showed the new arrangement of Far, Far Away on Judea's Plains to my choral conducting professor, who is also the director of the Women's Glee Club at the University. He wanted to use it for his women's choir for a concert on December 3rd. Great!

Yes, great. But he wanted an SSAA arrangement with piano accompaniment. No problem. Finished it this morning. Well, actually, I worked from midnight to 5:30, then gave up and finished it at 10:00 after a class. Those easy little projects never are, are they? But I am thrilled that the Women's Glee Club is going to sing this piece, and the annual Christmas concert is a fairly big one. They also rebroadcast it closer to Christmas on KUNC, our local public radio station, where I do my internship. Yes, I'm living high on the hog in the lavish lifestyle of a choral composer. I think we may even move into a place with a bathtub and a dishwasher next year!

Don't take the last part of that last paragraph as whining. I love my life. I love doing what I do. Money means nothing. I just visited some friends whose new baby is having a bit of a rough start. I am reminded once again of the fragile nature of life and the blessing it is simply to breathe. If you are reading this and you are a religious type, a prayer for little Austin couldn't hurt.

10.11.06

noisebox

New noisebox. I am quite fond of the compound meters in this piece. The author of the text is actually related to David somehow, which is neat.

Vol. 1 Issue 16
Merry Christmas, Part 1

December is too late to start working on Christmas music for those who perform. Thus, we present today our Christmas page, an easy way to access all the Christmas music we will release in the coming weeks. We also proudly present our first offering of the Christmas season, Far, Far Away on Judea's Plains. This well-known text by John Menzies Macfarlane has been set to new music for SATB chorus by Nathan Howe. It features jubilant compound meters and a memorable melody. Access the sheet music and hear a MIDI demonstration through our Christmas page or our Choral page.


Grate Music, LLC
http://gratemusic.com
http://LDSmusic.us

9.11.06

the election

After the hype of election night (correction: the hype never ends, but the initial hype has calmed somewhat), I feel I can now comment sensibly on the election.

Looking through a number of blogs on all sides of the political world, I have come to a solid, disturbing conclusion: The Middle is sorely underrepresented in all things political.

By The Middle, I mean people like me. I vote. I am not a huge supporter of some of the President's ideas, although I have great respect for the office and the person. I also had great respect for the office and the person during the Clinton administration as well, although some of his acts certainly cannot be condoned. I do not have a venomous hate for all Democrats like some conservatives I hear in the media. I do not have a venomous hate for all Republicans like some liberals.

Am I an independent? Not on paper. To be an independent would be to lose all power in primaries and caucuses. I would much rather remain registered with a party so I can have some influence in which person is selected to run.

Who has been catering to The Middle, the people like me, during this election season? Has anybody stepped forward as a voice of reason to say that there is good in all parties and that cooperation, as Sesame Street taught us so many years ago, makes it happen? No. At least not on a broad scale.

Instead, we have been fed negativity in almost every campaign, whether by the candidates or by their supporters or by media covering the races. This language of mutual hatred is demeaning to everybody in public life, and it pollutes the climate to the point that even months after the election, those who actually made it into office are seen as unworthy of any trust.

I can say that I voted for both elephants and donkeys on Tuesday. I cannot say that I am more or less confident in the future of America today than I was a week ago. No matter who won in the election, The Middle lost. The reasonable people who want trustworthy leaders lost. Those who value the way the game is played as much as the final score realize that a so-called victory for either side in such dirty races is hollow at best. More than any election I can remember, this one seems particularly fraught with loss. The particular people who got the votes don't matter as much as the values and trust so many lost in gathering them.

May God bless the America we now are to become the America we know we ought to be. May we find some way to meet in The Middle and learn the art of civil discourse and brotherhood even in disagreement.

7.11.06

optimism

Everything is about to go very well.

(Important note: This is not an election night commentary. This is not a political commentary. Although I appreciate the democratic process and I am grateful to have been born in a country where I can vote, my current cheerful mood has little to do with the early returns that are just coming in.)

From time to time, I just have to believe that good will come of what is happening in my own life and in the world around me. I have just recommitted to be a better optimist. I have added it to my 43 things. I have started keeping better track of the motions of my mind.

It strikes me once in a while, this unshakeable idea that I have every reason to be thrilled with life. When I have this feeling, good things generally happen. Do they happen because I feel this way and expect them, or can I somehow sense good times in advance? This is an interesting philosophical question which I will continue to ponder.

As for right now, I am completely thrilled about gratemusic.com and LDSmusic.us and what we are doing there. I am optimistic about my family and my personal financial situation. I am thrilled about our marriage. I am excited about my education. I don't believe that I will live without inconvenience or difficulty, but I feel that the good will completely override the effect of whatever problems arise.

Perhaps the election does have something to do with my focus on this subject of optimism. All the analysts and the different parties and candidates are talking about the future. On the radio in the morning, there will be many prognositcations about how our next two years will be in America. There are many doomsday voices. There are many who say that our new leaders will fix everything. Neither side is accurate. Some laws and policies have noticeable effect in the lives of the governed, but generally our happiness and our life situations are governed primarily by our thoughts and desires and how we go about realizing them in the framework of God's plan. This new political season ought to be a new season of optimism and new commitment to make life good for ourselves and those around us.

3.11.06

noisebox

New Noisebox today. I am really impressed with David's work on this. It's definitely worth a listen.

Noisebox 03 November, 2006
Vol. 1 Issue 15
New MP3 and new arrangement for Like Sunlight Gleams Thy Grace, O Lord

David Macfarlane has just released a rich new recording of his hymn Like Sunlight Gleams Thy Grace, O Lord. In conjunction with the release of the MP3, a new TTBB edition of the hymn has just been published. This hymn addresses the topic of grace in our relationship with Christ and its connection with faith and works. Access the new files through our hymns page.

Grate Music, LLC
http://gratemusic.com
http://LDSmusic.us

2.11.06

the coke and mentos guys

I know you probably already know it, but the Coke and Mentos guys have just finished their latest video, and it's definitely worth the portion of your life you waste watching it, because they have wasted so much more time making it.

http://eepybird.com/

1.11.06

nanowrimo

I started my novel today. By today, I mean this morning. I literally looked over at the clock and realized, "Oh. It's National Novel Writing Month. I guess I'd better write something." The working title is "Archie Frey and the Other People in my Inbox." It's stupid. I just need to make myself write it, because who knows when I'll ever write another novel? I'm up to 1,052 words. Goal is 50,000 by the end of November.

29.10.06

friendship

Recently, I have been thinking about the idea of friendship and how I want to develop it as an attribute in my life. I added as one of my 43 Things "Be a friend like the ones who have changed my life." Here are my thoughts on that:

I do not forward cheesy e-mails that talk about true friendship and threaten certain death if not sent on within ten minutes. I don’t do “just thinking of you, Friend” greeting cards. I want to be a friend of the caliber of those who have found me in my dark times and helped me identify the light I was seeking.

  • I would be a friend like those I have had who made work a joy and sorrow a short affair.
  • I would be a friend who understands that the welfare of a soul is worth far more than a few extra minutes of sleep or a few extra dollars in the bank.
  • I would be a friend who does not change people, but liberates them to change themselves for the better.
  • I would become a friend by accident to hundreds of people one by one – standing in line at the grocery store, waiting for a bus, browsing at the library.
  • I would be a friend to those who blatantly disagree with me. I would be a friend to those who are too much like me. These may be the same.
  • I would be a lifelong friend, even if not in the sense of face-to-face contact. I would be the friend that old friends could call after ten years of silence and pick up the conversation as if we had never parted.

This is the friendship I would develop as a portion of my character.

28.10.06

syndication for the noisebox

I just created Atom and RSS feeds specifically for the Noisebox. I don't know about you, but I'm going to read the Noisebox in that little thingy above my Gmail that always shows Spam recipes I didn't request. I know this is not a big deal, but it's a good small deal for me. If you're interested, subscribe. RSS Atom

26.10.06

a long rant about something completely unimportant

My newest 43 Things goal is to finish the cinnamon toothpaste. I shall explain:

I bought a tube of cinnamon toothpaste a few moths before we were married, so I suppose it's been at least 9 months. It's a very big tube - family size or something. My wife hates it, so she uses another type of toothpaste that she doesn't like but also needs to finish. If we could just throw perfectly good things away, all would be well in our medicine cabinet, but as it is, we have two full-size toothpaste tubes, each about half full, slowly being emptied. They take up a lot of space in our little apartment with very little storage space. I suppose it doesn't help that I only use a small amount when brushing.

I didn't even get to the cinnamon one until a few months ago, because I was finishing a different toothpaste she also didn't like. It was one of those with two different pastes in a boxy plastic pump, and she (and I) didn't like how it's almost impossible to get equal amounts of both sides. The cinnamon tastes good, but the logistics of tube space sharing are too complicated. Toothpaste problems can put an undue strain on an otherwise harmonious and exciting marriage.

I think we may have to throw a party at our home when I finally finish the cinnamon toothpaste and we can be united as a couple in our choice of dental care products. Imagine - only one tube of some sensible mint toothpaste neatly placed in the cabinet! Some day, it will be a reality for us.

24.10.06

internship

On Monday, I started my internship with the music department at KUNC, our local public radio affiliate. I suppose at this point I have to admit my addiction to public radio. Yes, the news coverage is often more liberal than my personal views, but so much of what they do is well produced and expertly presented.

So I started Monday, and most of my job as an intern is opening mail and sorting through stacks of CDs, weeding out albums that definitely don't fit the station's format. I can't do this with my own CD collection - I just collect music, and the only way it leaves my collection is by being borrowed and not returned or scratched beyond repair. But at KUNC, it's fun. I like hearing all the different styles of whatever people call music, from acoustic banjo albums to "I did this myself on my $50 1985 Casio in my basement" albums, this internship is helping me to remember why I started studying music in the first place. It really is nice work if you can get it.

noisebox

Here is the latest Noisebox. I am quite excited about this recording. I did it several months ago, and it's nice to have occasion to post it.

Grate Music Noisebox
Volume 1, Issue 14
23 October, 2006: New MP3 for Emulation from Psalms of the 21st Century
_________________________________________________

We recently posted sheet music for Emulation by Nathan Howe, and even for accomplished pianists, it is difficult to get a realistic sense of the piece without hearing a choir sing it. To present it to the world, Nathan Howe has recorded Emulation with a choir composed of some of his closest friends - his alter egos. Head to the Recordings page to download and listen. Then feel free to Tell Us what you think.

23.10.06

a brief LDS music rant

The niche entertainment business geared toward Latter-day Saints is booming. I suppose I am part of that boom. A few big companies dominate the market - Excel Entertainment and Deseret Book (each with several subsidiaries) are the biggest for recorded music. In LDS sheet music, Jackman and Larice are big, and Deseret Book has a big segment of that market as well. Little, independent publishers have sprung up in LDS sheet music, like Sally DeFord (who offers her music for free download), Craig Petrie, Choir Works, and of course LDSmusic.us. I like many of the offerings of each source I have listed here. My problem comes when the desire for a popular style causes the music to slip into speculative doctrine, casual reference to Deity, or bad taste.

Casual Reference to Deity
Maybe I'm a stick in the mud, but I don't remember any stipulation in the scriptures where lowering the status of God or Jesus Christ is allowed for artistic purposes. Yet culturally we have become accustomed to songs referring to Deity as "you" instead of "Thee" or "Thou." I understand that it's harder to fit the formal references into the flow of a song. That is the necessary challenge of the skilled songwriter. Of course, many songs have been written that teach principles of truth without referring to God in the second person at all. I prefer that. It's easier. But when I do include a literal prayer, I make an effort to be formal in addressing Him.

Speculative Doctrine
This is going to make me unpopular. I don't like songs like the ever-popular "O Lord, My Redeemer" and "I Heard Him Come." Why not? They have nice tunes and nice messages. There is plenty to like about them. But I am uncomfortable inserting fictitious characters and situations into the scriptures. I am fine with expounding on the truths found in scripture and recounting the events and parables used therein, but I feel like some songs treat those stories as just stories, open to free and careless interpretation.

Of course, some songs take the speculation much farther, such as the show Saturday's Warrior. This includes some blatant doctrinal mistakes as well as sketchy speculations. For example, a concept of predestination is presented in which there is only one "right one" for a certain man or woman to marry, chosen before birth. This is clearly unsupported by scripture and modern revelation.

Bad Taste
Finally, this boom in the popularity of LDS media has brought with it some reeking examples of bad taste. Taking phrases from religious service and mocking them in song may entertain momentarily, but often crosses the line to mock the sacred. Consider the soundtrack to Sons of Provo, a movie about a fictitious LDS boy band. In one rap, the background singers shout repeatedly "Will all those in favor please make it manifest?" a la Eminem. Sure, it's for fun in a film parody of Mormon culture. But isn't the process of sustaining our leaders vitally important in a religious sense? If a teenager listens to the song only a few times (it only took once for it to get stuck in my head), will he think when he hears that phrase in Church about sustaining people who have been called of God, or will he smirk and remember the mocking song?

Another genre of bad taste which is currently popular is to take a hymn or Primary song and remix it in a modern style. Some of these are really good and tastefully done. Some of them cross the line. For example, one version of the Primary song "I Belong to the Church of Jesus Christ of Latter-day Saints" has been recorded in a sort of punk style with a grinding voice and driving guitars and percussion. To hear the name of the Savior and the Church as performed in this recording grates my nerves. The name of Christ is holy, and should not be yelled for entertainment purposes.

After saying all this, there is much of good in the LDS music world. I am just disappointed in some of the offerings of our "best and brightest" who know better and can do better in creating music of faith. The major LDS music companies should encourage this. We as consumers should encourage this. We are getting to the point where we as LDS consumers do not need to buy a CD or DVD just because it's made by members of the Church - many entertainment offerings by Latter-day Saints are now available. We can afford to use discretion and decide even within the so-called LDS music market what is appropriate and what is not, and when something is not, leave it alone.

22.10.06

that said...

I know I've been down on Internet Explorer 7 the past couple of days. I'm not trying to make undue peace with it, but here are some things I like:

  • DevToolBar. It's something you can download from Microsoft, and it's in a Beta version right now. It gives some nice tools most casual surfers don't need. You can get some similar addons for Firefox, but I like the way these are grouped.
  • The zoom tool on the bottom right. Very handy for viewing ill-designed sites with too-small stuff.
  • The Anti-phishing thang. I always look at the URL to make sure I'm at the right place before entering personal information, but this will help quite a few people who aren't terribly savvy.

So I'm keeping it. I won't be using it much, but I'm keeping it so I can be sure gratemusic.com and LDSmusic.us don't look too dumb in it. I just care that much.

20.10.06

i.e. 7 again

I still don't like it. OK, it's been less than 48 hours, but a few things drive me nuts about Windows Internet Explorer 7:

Most notably, the text menu bar is gone (you think). You actually have to press ALT to get it to pop up. You have to do this to get to some of the features. And when you click anywhere besides the text menu bar itself? Yes, it closes. This was obviously not designed with mouse klutzes like me in mind. I hear that you can make it "sticky" so it displays all the time (rumor only - I have not done this yet), but either way, it still displays below the address bar, which is wrong.

A principle of good design is that you don't move something from a familiar location unless there is a really good reason. How did Microsoft do?

  • Suddenly the icon to access the Favorites menu has moved from top center to second row left.
  • The reload button looks different and now lives where the Go button was. You can't find it by muscle memory anymore.
  • Go is gone. Oh, wait. When you type an address, Reload becomes Go. Confusing.
  • The Home icon has moved from left to far right along with Print.
  • Where is help? You don't have the text menu bar right at your fingertips, and there is no help icon. Of course it's there, Silly! If you need help, all you need to do is go through TWO drop-down menus easily accessible through the 2-millimeter double-arrow thingy (>>) on the FAR RIGHT of the screen. Don't worry that it doesn't look like a button (or anything, for that matter) until you roll your mouse over it. When you try to drag that little help icon onto the bar with Home and Print where it belongs, of course it is not allowed. Asking for assistance is harshly discouraged.
  • 19.10.06

    i.e. 7 - watch out!

    After my post about IE7, Dieter sent me a message on my Vox account about a security vulnerability in it. Already. Frightening, no? I am not an alarmist, and I don't believe that Internet Exploder Explorer will be the end of society as we know it, but I am less than pleased with it at the moment. You can read about the vulnerability here. If you don't have Firefox, you can download it at the bottom of this page.

    18.10.06

    i.e. 7

    I just upgraded (not positive about that term) to Internet Explorer 7. It seems like everything new about it that is good and useful on the consumer end has been essentially copied from Firefox. Tabbed browsing, for example. I don't like that the menus at the top of the window are gone - it just doesn't seem right without File, Edit, Tools, etc., but maybe I'll get used to it.

    I'm not an expert on the security side of things, but since IE supports ActiveX and Firefox doesn't, that automatically makes IE more vulnerable. Maybe the new version will be better, but when I'm surfing around on sites I hadn't previously known (like when doing research), I still always use Firefox.

    I was also quite happy to discover that gratemusic.com and LDSmusic.us still work fine in IE7. No emergency redesign! Woohoo!

    14.10.06

    noisebox

    Here's the latest Noisebox. I really like this piece, although I am obviously biased.

    Grate Music Noisebox
    Volume 1, Issue 13
    14 October, 2006: Emulation from Psalms of the 21st Century
    _________________________________________________

    This modern choral setting of an original text by Nathan Howe is designed for concert performance. First in a new set of songs called Psalms of the 21st Century, Emulation features rich 6-part harmonies. Emulation is intended for use by advanced choirs. Get it through our Choral page.

    12.10.06

    my 43 things

    Well, I've restarted my page on 43 Things. Hopefully with the whole world holding me accountable, I'll be pressured to overcome procrastination and reach some of my less immediate goals. If you have suggestions for what some of my 43 Things should be, e-mail me.

    national novel writing month

    I must say, I take on too many projects. This is an established truth. However, I am completely intrigued by National Novel Writing Month, (NaNoWriMo, affectionately) which is November. The basic idea is that you write a novel of 50,000 words or more entirely in November. I am actually thinking about doing it. After seeing some things that get printed and sold as books these days, I'll bet I could spit out 50,000 words with some degree of coherence, even if most of my writing was done at 2:00 in the morning. Most of my writing on this blog is done at 2:00 in the morning, and it's completely coherent, right? Don't answer that.

    Also, I think it would be good to have a similar event designed for musicians - say, a National Musical Writing Month, or a National Oratorio Writing Month, or a National Album Writing Month. Maybe I'll look into starting one of these after I finish my novel. And start it.

    11.10.06

    challenge

    David and I throw challenges back and forth. For example, several weeks ago, the challenge was to write a hymn with the following attributes:

    • In the meter 87887 (like Adam-ondi-Ahman)
    • In the key of F
    • Addressing some topic related to the Restoration
    What came of it was Come to the Mountain of the Lord. Now, I've had another challenge on my plate for a few weeks, and I haven't done anything with it. David has challenged me to write a hymn
    • In the meter 7676D (like If you could Hie to Kolob)
    • In the key of G
    • Addressing the topic of Joseph Smith
    My goal is to write this hymn within the next three weeks.

    10.10.06

    noisebox

    We just sent out a new Noisebox. It represents hours of labor - it took ages to get Finale to do what I wanted with this piece. It was really a good learning experience. Anyway, check out the piece. I'm going to bed.

    By the way, if you want to subscribe to the Noisebox, details are here.

    Grate Music Noisebox
    Volume 1, Issue 12
    10 October, 2006: Come, Thou Fount of Every Blessing
    _________________________________________________

    Sheet music for Nathan Howe's new choral arrangement of the beloved hymn Come, Thou Fount of Every Blessing is now available on gratemusic.com and LDSmusic.us. This arrangement is designed for more advanced choirs, and features optional solo sections for bass and soprano and an advanced piano or organ accompaniment. This is an updated version of an arrangement made in 2001 by Nathan Howe. Access it through our Choral Music page.

    Sorry for the delay on this week's update - we have been ironing out a few technical difficulties and planning some excellent things for the coming months on gratemusic.com and LDSmusic.us. If you know of anybody who would want to know about our new music, feel free to forward this Noisebox.

    7.10.06

    just a visitor

    For the past couple of days, I've been listening to music from Ellis Hadlock's newest CD, Just a Visitor. I'll say up front that my listening preferences often have very little to do with my songwriting style. I don't think it's healthy to like my own work too much, and if I listen too much to other artists who have a similar sound to mine, I tend to get either jealous or annoyed. That, my friends, is human frailty. So that explains why I like to listen to other types of music in my recreational time.

    Anyway, back to Ellis. He is a great guy and a great musician. Some of his songs sound like they belong on soundtracks. Some sound like they belong on Echoes from Public Radio International. I suppose people file him under Electronic Ambient, Light Rock, World, New Age, or one of those other titles that doesn't mean anything. I suppose if I were to file him in a category, I'd just put him under Instrumental Miscellaneous and leave it at that. Every piece has a different charater, most of them telling some kind of story.

    Just a Visitor is full of well-conceived soundscapes. I was surprised at the changes in my mood and stress level as I listened to each track. As a musician, I liked the various synth effects combined with some live instrumentals. As a listener, I liked that it didn't require me to be a musician to enjoy it. There is something just likeable about this music.

    I suppose that the best review I can give is this: Hadlock's Just a Visitor helped me forget about my pressing deadlines for a few minutes. That's saying something.

    You can check it out at http://cdbaby.com/cd/ellishadlock5

    6.10.06

    the briefcase

    I've been struggling the past few days to finish Miracle of Faith, a newly commissioned recording. In the process, I have had ample opportunity to explore the struggles associated with the use of older recording equipment. I am truly amazed at the quality of recordings made before the advent of virtually silent digital recording devices.

    I have been using a Yamaha 4-track cassette recorder - a very nice, fairly professional model at the time it was made. I have used this device several times, and I can always hear the hum of the motor in the background. Arrgh! So this time, I devised a plan.

    The room in which I was recording did not afford the opportunity to set the recorder outside the door to minimize the noise, so I stuck the whole unit inside a leather briefcase I found at a thrift store. I pressed record, slammed the briefcase shut, and played my parts. It worked remarkably well, although it looked like I was smuggling a bomb or something - there were wires and cords sticking out three of the sides. Wearing the headphones attached to this contraption, I felt like someone in an old spy movie.

    4.10.06

    finally, a music post

    Today, I've been scrambling to get together a new piece for a promotional video. It's called Miracle of Faith, and it's about the legacy of religious pioneers. My current modus operandi for recording is to use a borrowed four-track recorder and a Radio Shack microphone, and then to import from that into Cakewalk on my desktop computer. The MP3s on gratemusic.com and LDSmusic.us were produced with more sophisticated equipment, but I'm hoping I can make this work. In a way, it feels great to start out small. That is, we can be small in capital without being substandard in the quality of music we produce.

    So far in this project, I have written most of a song (by written, I mean scrawled a few words in a notebook), and I have made a lo-fi demo recording with a handheld digital voice recorder. However, the entire supposedly CD-quality project is due in 45 hours, so I'll let you know how the mad rushing goes and what the fruits are. I think Miracle of Faith may be the song for LDSmusic.us this week, but I'm not actually sure what we'll do.

    2.10.06

    what's in a name?

    I suppose that fluent in mumble is a stupid name for a blog. I suppose it would be an even worse name for a child, but that's not the point. fluent in mumble describes me fairly well, I suppose. I coach speech and debate (forensics) at a local high school, and in that position, I am quite well-versed in Mumble, the universal language of teenagers everywhere. Does it have anything to do with music, the ostensible focus of this blog? Not directly. Sorry.

    30.9.06

    what is this rubbish?

    It's my blog. fluent in mumble. It's where I talk a little bit about my life and what I'm doing, beyond what you may know from gratemusic.com and LDSmusic.us. The first entry on something like this is always stupid. That's why I'm getting it out of the way now. Then I'm going to quit while I'm ahead.