I suppose I've never been a huge fan of women's trio literature. I was in a children's choir, so I've sung quite a few SSA pieces, but I love the fuller sound and increased chord options available with only one additional part. But some type of bug must have bitten me the other night, and thus I arranged Father in Heaven for SSA women's voices. I'm really happy with the result. Get the sheet music at http://gratemusic.com/songs/Father_in_Heaven.html
I hate to restart my participation in this blog with something so tragic, but I have found something that must be shared.
I am somewhat a connoisseur of bad music. Whether it's poorly written, ill-conceived, or just plain annoying, I have a love-hate relationship with songs that make me cry for non-sentimental reasons.
To introduce today's installment, I have to say that there is nothing funny about any disease. I believe that it's generally good when people are healthy (unless those people are trying to destroy freedom and justice). I am sad when people are sick.
Glaucoma is a serious problem. The people at the World Glaucoma Association think so, too. They deal with it all the time. Apparently, one of the ways they have decided to fight Glaucoma is by writing and distributing a hymn about it. As a hymnist myself, I was interested, so I downloaded the WMA file and had a listen. Let me just say wow. I have never heard a song like it. I hesitate to say this, but after listening to the Glaucoma hymn, I'm not positive whether the author was for or against the disease.
You can read the lyrics and download the song through this site. You have to click on the little yellow "Glaucoma Hymn" link at the bottom right.
Again, wow.
Overall analysis:
Of course we have made progress, but I forsee that the next ten years will be significantly more challenging for the LDS music industry. There will be increased demand, but it will be fulfilled more and more by several small companies rather than a large Deseret/Seagull conglomorate. And Deseret will fight back, trying to buy out the little guys as they become popular. I predict that the songwriting and arranging styles will have to undergo a major overhaul in the next decade, and that LDS consumers will start becoming more discriminating in their tastes, so LDS musicians will have to rise to the challenge of producing higher quality music for which the LDS consumer will willingly pay. Overall, our industry is suffering from piracy and divisions within, and I do not see that those problems will be easily solved in the next several years. However, some will succeed, and they will be the ones whose focus is on sharing the truth more than turning a profit.
Other Considerations:
Vocal performance:
Again, at the high end, we see that it has improved slightly, but the style has not changed radically. On the amateur hobbyist end, things are worse than ever because we hear so many more of them. (I should say at this point that I probably ought to consider myself an amateur hobbyist, but I do take pride in what I do and try to make it the best possible considering my resources.) I have not heard a new LDS singer/songwriter in the past 5 years whose voical stylings were irresistably wonderful beyond what is already available. So much is ptich-corrected, overproduced, and overcompressed (especially in the EFY subgenre) that actual vocal talent seems less of an issue today than it was ten years ago.
Arragements:
I hesitate to say they are better. For recorded music, they require more gadgets. Synthesizers have improved, so the arrangements sound better in production. Some, like Mack Wilberg, Tyler Castleton, and Enoch Train, have certainly bloomed in their arranging skills in the last decade. But as far as the overall quality of most arrangements we hear, both on CDs and in Church, I think we are continuing to settle for less.
Production values and Recording Quality:
They have increased and decreased at the same time. Part of this has to do with the reduction in cost for decent recording equipment and software. If I had started out doing what I do ten years ago, the technology I have now would have been far beyond my means, and I run a pretty bare-bones operation. It is possible to set up a home studio for $500 if you already have a computer. This means that more people have access to recording and distribution of music.
On the high end, production values have increased tremendously. You can listen to the current EFY CDs, and they are much better in sound quality and production than in 1997. However, a flood of amateur music is washing over the industry in general, and that is especially the case in LDS music where (as I mentioned above) the consumers don't seem to care about quality.
Songwriting (as a craft):
Much improved. I am especially encouraged that more LDS musicians seem to be writing on themes of the Restoration. Looking a decade back at the songs of Michael McLean and other similar artists, many of them were quasi-ecumenical songs (pretty, but with not much doctrine) which were mostly designed to make the listener feel good. I sense that among the good LDS songwriters of today (and there are also plenty of bad ones, as always), we have learned to teach truth with more accuracy and boldness while improving the music to which it is set.
On the other side of the coin, the LDS consumer has been conditioned to accept and perpetuate musical rubbish simply for the fact that it is "LDS." Listen to KZION, for example (I do), and within an hour you will hear some lovely, well-conceived, well-developed music alongside some terrible, yet heartfelt, songs with four chords and lyrics that don't fit into the musical lines. Many LDS people are well educated in music, but consciously ignore their musical sensibilities when it comes to Church music. This was necessary ten or fifteen years ago because of the lack of good music, but we need to have a paradigm shift as a people and begin demanding excellence. We also need to become willing to pay for excellence when we find it.
On the LDS Musicians group, Michael R. Hicks proposed that we look back on the past ten years in the LDS music industry and reflect on our progress in specific areas. To avoid posting one huge block of text, I will post my "State of the (LDS Music) Union" address in topical segments, beginning with the preamble:
Disclaimer:
In 1997 I was a freshman in high school and I had never heard of EFY (I subsequently attended in 1998). I started seriously writing LDS music in 2000, but I did not do any performances of it in the U.S until 2004 or make any attempt at publishing until 2006. However, I am quite familiar with what is out there - when I go to Utah, I always stop in at DI and look for "vintage" LDS recordings, and I have analyzed much of the currently available repertoire with some detail.
Essentially, I am new, but not inexperienced.
First off, I think we need to define the difference between "LDS music" and secular/general Christian music by LDS artists. They are not the same. Kenneth Cope and Jon Schmidt, for example, have significant followings outside the Church because they produce a segment of their products for the general non-LDS public. In this analysis, I am talking about music specifically produced for and marketed toward members of the Church.
Now to the list...
This one was a bit of a rushed job, but it turned out better than some pieces I have done with plenty of time to spare. I wrote this arrangement for one of our local missionaries to use at a conference this weekend with Elder Henry B. Eyring. I hope it goes well.
Noisebox 07 March 2007
Volume 2, Issue 3
Crusader's Hymn
Basses and altos, rejoice! In response to popular demand for solos written for lower voices, Grate Music presents Nathan Howe's new solo arrangement of the Crusader's Hymn, also known as Beautiful Savior or Fairest Lord Jesus. A higher version for baritone and mezzo types will be released soon. Get it through our solos page.
New Noisebox today. This song had an interesting little process - David and I recorded our parts several hundred miles away from each other, and then I mixed them together here.
Volume 2, Issue 3
26 February 2007
Miracle of Faith
You have already heard the piano music to Nathan Howe's new solo Miracle of Faith on the YFE 2006 video from BYU Idaho. Now you can download the MP3 and hear the full song with vocals by David Macfarlane and piano by Nathan Howe through LDSmusic.us. Miracle of Faith celebrates the contribution of the early pioneers and the importance of building our own faith for the benefit of future generations.
Thanks for Listening.
Here's the latest Noisebox. This one took quite a while due to the current busy circumstances of my life at the moment.
20 February 2007
Volume 2 Issue 2
Abide with Me
It took a bit more than a week, but new music is back, with an arrangement of the beloved hymn Abide with Me now available on gratemusic.com and LDSmusic.us. Nathan Howe has arranged it for TTBB chorus and baritone solo, and this arrangement may also be used as a baritone solo with piano or organ playing the chorus parts.
During our long vacation, we have upgraded the site in several ways, including easier navigation and updated browser compliance. Also, we have added a song index to gratemusic.com. You can find any available piece on gratemusic.com or LDSmusic.us, listed by title.
It has been quite the hectic few weeks, and I'm taking a slight pause on both this blog and the music websites in order to take care of some small administrative tasks. Like what, you ask?
So if you don't read much from me in the next few weeks, it is not for lack of noteworthy activity - it is for lack of time and energy to report.
On the discussion board at KZION LDS Internet Radio, John Hesch asked me:
"...Nate, can you please explain why you think that spiritual music should be given away for free? Why should an LDS artist like yourself give away your music just because you song is about our faith? I don't understand that way of thinking and you're not the first person I have heard this from. LDS authors don't give away their books, LDS movie producers don't give away their movies, LDS artists don't give away their paintings. As an LDS consumer I expect to pay for your music, art, books, etc. What I don't want to do is pay more for your music, art or books just because it is about our faith."
Good question. I don't think all music of a spiritual nature should be just given away, but I do think that it should be accessible. At this point I choose to give mine away because I have reasonably low overhead and I can afford to do so. But any way you slice it, 17 to 20 bucks for a CD with one good song is highway robbery (pardon the pun). Sometimes the ones who really need to hear it are those who can't afford it.
I suppose it depends on the nature of the music and the goal of the artist. For fun songs or songs mostly for entertainment purposes rather than spiritual teaching, I have no problem charging whatever the market will bear. However, if I actually believe the concepts about which I sing in my so-called spiritual songs, I should share that testimony freely to all who would benefit from it. If I claim any degree of divine inspiration in writing a song, it should be primarily for the building up of God's kingdom.
There are production costs. There are administrative costs. I don't generally give away or sell my copyrights or place much music in the public domain. Music is still a business. I just feel that by allowing free access to the music and asking for donations, in time those with more resources will pick up the tab for those who cannot afford to pay. Call me a hippie public radio tote-carrying idealist fool. Maybe I am. At the moment, we are doing better than breaking even on web hosting costs, so I have no real complaints.
This is not to knock artists who use different business models. When I go into the studio to do session work, or when I teach private lessons, do I turn down my rightful payment? Of course not. I also encourage donations when people download my music, I do occasional commissions, and if I was offered a good job making LDS music, I would seriously consider the offer. If I decide to release a CD, I will certainly charge for it. But I will do my best to make it affordable, and I will always offer a good amount of spiritual music for free.
(By fame and fortune, I mean fortune in the sense of good things happening, not in the sense of money in pocket.) It was a good day Friday. I showed the new arrangement of Far, Far Away on Judea's Plains to my choral conducting professor, who is also the director of the Women's Glee Club at the University. He wanted to use it for his women's choir for a concert on December 3rd. Great!
Yes, great. But he wanted an SSAA arrangement with piano accompaniment. No problem. Finished it this morning. Well, actually, I worked from midnight to 5:30, then gave up and finished it at 10:00 after a class. Those easy little projects never are, are they? But I am thrilled that the Women's Glee Club is going to sing this piece, and the annual Christmas concert is a fairly big one. They also rebroadcast it closer to Christmas on KUNC, our local public radio station, where I do my internship. Yes, I'm living high on the hog in the lavish lifestyle of a choral composer. I think we may even move into a place with a bathtub and a dishwasher next year!
Don't take the last part of that last paragraph as whining. I love my life. I love doing what I do. Money means nothing. I just visited some friends whose new baby is having a bit of a rough start. I am reminded once again of the fragile nature of life and the blessing it is simply to breathe. If you are reading this and you are a religious type, a prayer for little Austin couldn't hurt.
New noisebox. I am quite fond of the compound meters in this piece. The author of the text is actually related to David somehow, which is neat.
Vol. 1 Issue 16
Merry Christmas, Part 1
December is too late to start working on Christmas music for those who perform. Thus, we present today our Christmas page, an easy way to access all the Christmas music we will release in the coming weeks. We also proudly present our first offering of the Christmas season, Far, Far Away on Judea's Plains. This well-known text by John Menzies Macfarlane has been set to new music for SATB chorus by Nathan Howe. It features jubilant compound meters and a memorable melody. Access the sheet music and hear a MIDI demonstration through our Christmas page or our Choral page.
Grate Music, LLC
http://gratemusic.com
http://LDSmusic.us
New Noisebox today. I am really impressed with David's work on this. It's definitely worth a listen.
Noisebox 03 November, 2006
Vol. 1 Issue 15
New MP3 and new arrangement for Like Sunlight Gleams Thy Grace, O Lord
David Macfarlane has just released a rich new recording of his hymn Like Sunlight Gleams Thy Grace, O Lord. In conjunction with the release of the MP3, a new TTBB edition of the hymn has just been published. This hymn addresses the topic of grace in our relationship with Christ and its connection with faith and works. Access the new files through our hymns page.
Grate Music, LLC
http://gratemusic.com
http://LDSmusic.us
Here is the latest Noisebox. I am quite excited about this recording. I did it several months ago, and it's nice to have occasion to post it.
Grate Music Noisebox
Volume 1, Issue 14
23 October, 2006: New MP3 for Emulation from Psalms of the 21st Century
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We recently posted sheet music for Emulation by Nathan Howe, and even for accomplished pianists, it is difficult to get a realistic sense of the piece without hearing a choir sing it. To present it to the world, Nathan Howe has recorded Emulation with a choir composed of some of his closest friends - his alter egos. Head to the Recordings page to download and listen. Then feel free to Tell Us what you think.
The niche entertainment business geared toward Latter-day Saints is booming. I suppose I am part of that boom. A few big companies dominate the market - Excel Entertainment and Deseret Book (each with several subsidiaries) are the biggest for recorded music. In LDS sheet music, Jackman and Larice are big, and Deseret Book has a big segment of that market as well. Little, independent publishers have sprung up in LDS sheet music, like Sally DeFord (who offers her music for free download), Craig Petrie, Choir Works, and of course LDSmusic.us. I like many of the offerings of each source I have listed here. My problem comes when the desire for a popular style causes the music to slip into speculative doctrine, casual reference to Deity, or bad taste.
Casual Reference to Deity
Maybe I'm a stick in the mud, but I don't remember any stipulation in the scriptures where lowering the status of God or Jesus Christ is allowed for artistic purposes. Yet culturally we have become accustomed to songs referring to Deity as "you" instead of "Thee" or "Thou." I understand that it's harder to fit the formal references into the flow of a song. That is the necessary challenge of the skilled songwriter. Of course, many songs have been written that teach principles of truth without referring to God in the second person at all. I prefer that. It's easier. But when I do include a literal prayer, I make an effort to be formal in addressing Him.
Speculative Doctrine
This is going to make me unpopular. I don't like songs like the ever-popular "O Lord, My Redeemer" and "I Heard Him Come." Why not? They have nice tunes and nice messages. There is plenty to like about them. But I am uncomfortable inserting fictitious characters and situations into the scriptures. I am fine with expounding on the truths found in scripture and recounting the events and parables used therein, but I feel like some songs treat those stories as just stories, open to free and careless interpretation.
Of course, some songs take the speculation much farther, such as the show Saturday's Warrior. This includes some blatant doctrinal mistakes as well as sketchy speculations. For example, a concept of predestination is presented in which there is only one "right one" for a certain man or woman to marry, chosen before birth. This is clearly unsupported by scripture and modern revelation.
Bad Taste
Finally, this boom in the popularity of LDS media has brought with it some reeking examples of bad taste. Taking phrases from religious service and mocking them in song may entertain momentarily, but often crosses the line to mock the sacred. Consider the soundtrack to Sons of Provo, a movie about a fictitious LDS boy band. In one rap, the background singers shout repeatedly "Will all those in favor please make it manifest?" a la Eminem. Sure, it's for fun in a film parody of Mormon culture. But isn't the process of sustaining our leaders vitally important in a religious sense? If a teenager listens to the song only a few times (it only took once for it to get stuck in my head), will he think when he hears that phrase in Church about sustaining people who have been called of God, or will he smirk and remember the mocking song?
Another genre of bad taste which is currently popular is to take a hymn or Primary song and remix it in a modern style. Some of these are really good and tastefully done. Some of them cross the line. For example, one version of the Primary song "I Belong to the Church of Jesus Christ of Latter-day Saints" has been recorded in a sort of punk style with a grinding voice and driving guitars and percussion. To hear the name of the Savior and the Church as performed in this recording grates my nerves. The name of Christ is holy, and should not be yelled for entertainment purposes.
After saying all this, there is much of good in the LDS music world. I am just disappointed in some of the offerings of our "best and brightest" who know better and can do better in creating music of faith. The major LDS music companies should encourage this. We as consumers should encourage this. We are getting to the point where we as LDS consumers do not need to buy a CD or DVD just because it's made by members of the Church - many entertainment offerings by Latter-day Saints are now available. We can afford to use discretion and decide even within the so-called LDS music market what is appropriate and what is not, and when something is not, leave it alone.
